Despite all the recent Godzilla features and movie location stuff on Tokyo Fox I didn’t actually realise that this Gareth Edwards directed version was set in Japan (in part) until I saw it at the cinema the other day. I just assumed it was all set in the USA and though the second half of the film was in Hawaii, Nevada and San Francisco, the first hour or so was all set in Japan. As a movie locations geek it should be noted that the majority of this production was filmed in Vancouver, Canada.
Well, what do you know but it was the first half of this 123 minute movie which I preferred. A fair few people have complained of Godzilla getting very little air time but I don’t have a problem with that. In my opinion, the beast does not need to be seen immediately but its appearance is built up whilst delivering a terrifying off-screen presence with a foot here and a tail there!
This incarnation of the the giant lizard is told from a human perspective and Bryan Cranston’s character Joe Brody seemingly gets all the character-driven stuff from the moment we first see him in 1999 working as an engineer at the fictional Janjira nuclear plant in Japan. Having been tracking oncoming tremors, a fateful event occurs at the reactor on the morning of his birthday which see his wife (Juliette Binoche) killed and the city sealed off for all eternity.
Fifteen years on and Joe’s son Ford (Taylor-Johnson), who is now a US Navy Officer living in San Francisco with a wife and kid, has to fly to Japan to bail out his father who has been arrested for trespassing. Joe’s still overcome with grief and is a crackpot conspiracy theorist living in a tiny apartment where the wall is covered in news clippings, maps and charts. Joe manages to convince Ford to accompany him to their old home to retrieve some vital information he recorded and whilst in the quarantine zone they find that it’s not at all contaminated thereby enhancing Joe’s opinion that the government covered up the true cause of the disaster. However, after recovering the data, soldiers appear and detain them within the plant’s ruins.
It’s thereafter that all the monster stuff begins to happen with “MUTOs” (Massive Unidentified Terrestrial Organism) appearing on the scene which didn’t really catch my imagination but then again I’m not really a fan of kaiju (monster) movies. The rest of the film is carried out in the States with the US Navy task force getting involved which see’s the bad CIA guy (David Strathairn) from ‘The Bourne Ultimatum‘ (2007) yet again in charge and standing in front of a wall of screens and monitors giving out instructions. Like so many other actors in this film though he was under-utilised which was perhaps a little surprising given how his distinctive voice was used in the promotional trailers.
British director Gareth Edwards is obviously a man with a great knowledge of, and affection for the previous works of Godzilla (stuff that I have actually slagged off a fair bit on this site throughout the years!) and there are plenty of nods of affection to the original 1954 film without any of the horrors repeated from the almost universally panned 1998 Roland Emmerich film of the same name.
The awakening of the MUTOs leads to the stirring of the pre-historic predator known as “Gojira” as Dr. Ishiro Serizawa (Ken Watanabe) says before reverting to the English name for the rest of the film. I particularly liked the opening titles with the grainy archive footage showing missiles and atomic bombs being used in the Pacific Ocean and we get to see them again as it later emerges that the existence of the giant monster has been kept secret by the U.S. government since 1954. The re-appearance of Godzilla results in a tsunami and with this film also touching on another sensitive subject by way of nuclear power, things could be slightly uneasy for some Japanese people. It is quite clear that this movie could never have been made in Japan as local directors might be uncomfortable turning such matter into a big budget production.
Tokyo Fox Rating 6/10
Tokyo Fox (東京狐) 